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本片根据真人真事改编。一辆巴士在希腊北部被劫持,车上乘客的生命安全已遭到威胁,劫匪向警察提出100万欧元的赎金以及安全通道,这场劫持事件已经不是单纯劫持巴士那么简单了,警察到底该如何决定,车上乘客能否全身而退,一切都是那么不可预测...
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.
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15世纪,弗拉基米尔王子在挚爱妻子去世后亵渎神明并背弃信仰,从此变成了一名吸血鬼,被诅咒永世漂泊。400年后,他遇到了一位与已故妻子惊人相似的年轻女子,遂不惜一切想要赢得她的心。
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15世纪,弗拉基米尔王子在挚爱妻子去世后亵渎神明并背弃信仰,从此变成了一名吸血鬼,被诅咒永世漂泊。400年后,他遇到了一位与已故妻子惊人相似的年轻女子,遂不惜一切想要赢得她的心。
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一个复杂的、围绕着无意义的暴力谋杀和年轻证人戏剧故事。
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本片介绍了怀恩肯迪将军坎坷但荣耀的一生,即使在残酷的战争中他也从没放弃过尊严和绅士风度。南非战争回来的肯迪来到了德国,在那里他遇到了一个在当地做家庭教师的英国女孩亨特小姐,两人因为工作的关系走在了一起,并在人前出双入对,但有一天曾与肯迪因为亨特而决斗过的德国军官再次向他挑战,四十年后他们还谈及此事……残酷的战争扭曲了不少人的心灵,也创造了许多伟大的友谊,曾经是战场上的敌人、坐上宾、情场上的对手,最后还是忘年之交……
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被趕出森林後,伍迪原以為能永遠住在武虎營,卻萬萬沒想到有審查員想讓營地關門大吉。
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Story of a wealthy prince who travels to the US to live as an exchange student. While living in anonymity, the prince strikes up an unlikely friendship.
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罗德里格斯在上世纪70年代发行过两张专辑《Cold Fact》与《Coming From Reality》,在南非有超过50万的销量且知名度可与滚石乐队相提并论。但与其他知名的美国歌手不同,南非的歌迷得不到任何一点关于罗德里格斯的信息,除了专辑歌曲之外唯一能了解的只有专 辑封面上一张并不清晰的相片。两张专辑后,他好像也就此销声匿迹。 对于在南非的辉煌成绩,罗德里格斯其实并不知情,他在美国过着截然不同的生活,没有知名度,专辑销量不佳,被唱片公司抛弃,曾经一度做着装修屋顶的体力活…… 南非开普敦一家唱片店老板斯蒂芬与音乐记者克雷格听到罗德里格斯在舞台上奇特自杀的传闻后展开调查,寻找小糖人之路就此开始,一段神秘的传奇故事就此展开……