搜索"Sameer" ，找到 部影视作品
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The mystery of the unknown and the road that leads to the solving of the said mystery, both are waiting.
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三个好友去海边度假，却被一股恶毒的超自然力量囚禁在度假公寓的顶层，他们究竟能否逃出升天？
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米塔（帕丽莱蒂·曹帕拉 Parineeti Chopra 饰）出生于商业世家中，却是一个对IT行业充满了兴趣的假小子，个性自由奔放的她从来都不是父母眼中的乖女孩，却因为这桀骜的个性而多了一份魅力。尼科（施坦·马洛萨 Sidharth Malhotra 饰）家中上上下下都是为政府工作的公务员，只有他坚持经商，虽然屡战屡败但从不气馁。
七年前，米塔在一次偶然之中邂逅了和自己八竿子打不到一起去的尼科，而尼科则爱上了米塔的姐姐卡瑞诗玛，之后一晃眼七年过去，尼科想要迎娶卡瑞诗玛，但是他必须先证明自己的实力。卡瑞诗玛将米塔托付给尼科，两人之间产生了激烈的化学反应。
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Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.
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Abhiram(Ram Charan) is a handsome looking NRI, who is born and brought up in London. Even though he lives abroad, Abhiram loves Indian culture and family values. One fine day, he comes to know about his dad's past which is related back to a huge family based in India.In order to fulfill his dad's dream, Abhiram lands in India. There he finds out that his roots are based in the joint family of Balaraju(Prakash Raju). Rest of the story is as to how Abhiram manages to successfully enter the family, and wins the love of everyone.
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阿维纳什（杜奎尔·萨尔曼饰）是个典型的城市白领，过着忙碌、平淡和压抑的生活，有一天突然接到旅游公司的电话，告知他的父亲在车祸中丧生，让他去机场接收遗体。接着他找来“碎嘴”的朋友肖卡特（伊尔凡·汗饰）开车，接回遗体后准备火化，这时意外发现棺椁中竟然是一位老妇人，原来是货运公司发错了货，他们不得不赶赴逝者亲属家去交换遗体，途中又临时去大学接回逝者的外孙女——处于青春叛逆期的坦娅（米蒂拉·帕卡尔饰）。于是，三人踏上了笑料频出的远方旅程，在欢乐、悲伤、争吵、热恋的过程中，三人都在潜移默化中改变着自己，领悟着人生真谛。
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The mystery of the unknown and the road that leads to the solving of the said mystery, both are waiting.
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Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.