The story begins in today Istanbul, when a woman called Işık (Bade İşçil) arrives at an old house. There she recalls the past and friends of her youth.　　Back in 1998, a group of young people (Eda, Osman, Sinan and Kerem) studying in a school of Istanbul are at risk of exclusion because of their poor behaviour. They are very different from their classmates and, therefore, very lonely. A headmaster and most of the teachers are against them, and only one called Burcu (Pınar Deniz) does her best to protect the youngsters. However, they find out that Burcu is getting relocated, and this means that all of them will be excluded after her departure. In order to prevent this, students unite and make a plan: they will make Burcu fall in love so that she stays in Istanbul. According to the law, after marriage she will be able to choose a place of work by herself. They ask for help from Işık, an excellent student and a girl with a big heart. Soon she becomes a part of their company. This union helps the students change for the better, understand themselves, realize the importance of true friendship, find love and their own way in life. At the same time, their plan helps Burcu change her outlook on life and find true love with a new unsociable teacher called Kemal (Kaan Urgancıoğlu).

讲述一对新婚夫妇在试图要一个孩子的同时，一个所谓的诅咒扰乱了他们的关系。

　　由《我们这一天》“Kevin” Justin Hartley主演和参与开发的CBS剧情剧项目<The Never Game>于日前获得正式预订，将于2023-2024播出季登场；这是CBS为下个播出季准备的第一部新剧。　　本剧在今年三月开始进行开发，七月获得试映集预订，如今经过约一年的事件最终取得了好消息。作为自己完结“Kevin”后的第一个角色，Justin将出演特立独行的“Colter Shaw”，他以“寻宝者”的身份在全美漫游，利用自己的专业追踪技能帮助普通公民与相关机构解决各种悬案；而自己也同时在与破碎的家庭作斗争。　　《杰西卡·琼斯》“Wendy Ross”Robin Weigert、《正在进行》女主Abby McEnany、《致命钥匙》“Logan” Eric Graise、Fiona Rene以及《重案组》“Sharon” Mary McDonnell共同主演。

伊斯坦布尔有一家专门收购银行坏账催讨欠款的公司，许多债主被逼到穷途末路。直到一个年轻女孩的出现，事情似乎有了转机。土耳其导演通奇·沙欣自编自导的这部构思精巧、充满小慧黠的电影，以三线穿插的不同视角叙事带领观众亲历电话套路、信贷诈骗这类屡见不鲜的社会诈骗案。三位颜值与演技俱佳的青年演员带出层层悬念，丝丝入扣地揭开社会现实弊病，剧情的多次反转绝对出人意料。影片荣获2020年安塔利亚金橙电影节最佳剧本、最佳女配角奖

来到人生地不熟的小镇亚尼克拉的检察官埃姆雷，正值年轻气盛充满了傲气与道德正义感，看起来平静的亚尼克拉背后却暗潮汹涌，不论是连年干旱抽取地下水造成的天坑或镇上猎杀野猪的陋习，都让埃姆雷亟欲解决背后的政治角力。这时当地镇长儿子沙辛邀约宴请埃姆雷至家中吃饭，在酒酣耳热之后埃姆雷喝到不醒人事，没想到隔天就在镇长家中发生了性侵案件，埃姆雷自认清白而展开了公正调查并逮补了嫌犯沙辛……但没想到在他破碎残留的记忆中，有些状况超乎他自己认定的无辜与清白，而可能是帮助他的目击证人却是与镇长敌对的一名报社发行人穆拉，两人的关系暧昧不明，也更让这起案件扑朔迷离……

Semih's girlfriend suddenly breaks up with him. In search of answers about their relationship, he must soon confront what he had long ignored.

　　马提亚斯（Ignacio Rogers 饰）和杰罗尼莫（Esteban Masturini 饰）是青梅竹马的邻居加好友，两人之间的感情非常的要好。随着年龄的增长，性方面渐渐觉醒的两人最终发生了逾越了友谊的关系，当这段关系被家长们发现后，马提亚斯的父亲带着儿子离开了小镇，马提亚斯和杰罗尼莫之后再也没有联系过。　　一晃眼十年过去了，马提亚斯早就经历了社会的“改造”，成为了普世意义中的“正常人”，不仅如此，他还结交了一位漂亮的女朋友。这一天，他带着女友重新返回故乡小镇参加嘉年华活动，哪知道在这里，他和杰罗尼莫重逢了。压抑已久的感情火山般的爆发了。

　　贾斯廷和塞斯兄弟是父母的骄傲，为了孩子们的幸福，父亲一天到晚地忙碌，母亲呵护自己的孩子。弟弟贾斯廷是他们惟一的遗憾，他终日不得不呆在轮椅里，看着哥哥驰骋球场，捧回一个个金灿灿的奖杯。为了像哥哥那样获得奖杯，他为自己设计力所能及的比赛项目。在邻居威克老头的家里，他第一次看到了一屋子的奖杯，那里珍藏着老人逝去的女儿的一切，也包括她的肥皂箱赛车。他决定争取老人的帮助参加这项比赛。父亲为了他的赛车设计错过了看哥哥的比赛，哥哥非常不满。他反对弟弟参加比赛更是出于对他的担心。在大家的关心帮助下，贾斯廷闯过一道道难关，并取得全国比赛的冠军，这其中也有哥哥为了弟弟能与别人拥有平等、自由的权利进行的努力。

在宾夕法尼亚州一所精英寄宿学校的封闭世界里，哈德威尔，学生团体由五个派系管理。17岁的塞拉·萨默斯以不可动摇的沉着管理着最占统治地位的黑桃乐队，因为他们迎合最经典的恶习，为学生提供令人垂涎的非法酒精和药物。两派之间的紧张关系不断升级，当塞拉的好朋友/右手马克西因新的爱情而分心时，塞拉接替了一位痴迷于帕洛玛的门生，她把管理学校的智慧传授给了帕洛玛。但是随着毕业的临近，帕洛玛证明她学习速度非常快，塞拉的恐惧变成了阴险，她努力克服失去自我定义的控制。  在她的特写处女作中，作家/导演Tayarisha Poe让我们沉浸在对青少年政治的高度描绘中。这个令人着迷的性格研究概括了对于一个十几岁的女孩来说多么令人陶醉的力量，她敏锐地感觉到被拒绝的威胁。激动人心的新人洛维·西蒙娜的演出完美地体现了塞拉在公众面前无懈可击的命令，以及推动塞拉的内部恐惧和不确定性。

Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home.　　Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.