搜索"Loo" ，找到 部影视作品
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故事讲述的是一群朋友 他们每年举办1/2的新年派对 特别是今年 当这群人聚在一起 用大量的爱和同情送出自己的感情时 他们的关系、友谊和感情都会受到考验。
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《夜叉的世界》是在NO RULE NO MERCY的所谓地下战场极限环境下，只靠说唱对决产生最后三人重获名额登上《Show Me The Money 12》舞台的嘻哈生存比赛。再加上Chin-CK-Louie / Loopy / kaogaii / REDDY / APRO / YUNGIN / Hangzoo / Ian Ka$h / Rad Museum等担任裁判作为大师军团活跃各处，观评说唱歌手对决，进一步提升选秀的紧张感。
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星期六 更1《夜叉的世界》是在NO RULE NO MERCY的所谓地下战场极限环境下，只靠说唱对决产生最后三人重获名额登上《Show Me The Money 12》舞台的嘻哈生存比赛。再加上Chin-CK-Louie / Loopy / kaogaii / REDDY / APRO / YUNGIN / Hangzoo / Ian Ka$h / Rad Museum等担任裁判作为大师军团活跃各处，观评说唱歌手对决，进一步提升选秀的紧张感。
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在美国，超过1/3女性曾遭受性伤害，其中80%经历过创伤症候群。某日，美国南方，黑人女孩雷内莎在聚会后被性侵。当她决定开口向外求助，却发现自己无力地迷失在庞杂的医疗行政与司法系统之中。原本甜蜜稳定的恋爱关系，彷佛受到考验。本片以极其真实的镜头语言，重现许多女性曾被伤害的经历，反映过程中，女性经受的心理恐惧与无可言说的茫然感。缜密安排的剧情，除了碰触#MeToo运动所提出的核心问题外，更延伸讨论两性关系、父权体制、不健全的医疗制度，以及美国长久以来的种族问题。在导演精准的叙事表层下，埋藏着一颗颗后劲无穷的震撼弹。
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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After her father is involved in a serious accident, 11-year-old Yuna’s life is turned upside down. Reunited with her mother, Yuna faces the possibility of a drastic change, which she refuses to face. Miwako Van Weyenberg’s debut feature is a tender and heartfelt coming-of-age drama.