搜索"Jela" ,找到 部影视作品
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居住在克罗地亚萨格勒布的美国富商桑德斯,继承了父亲留下的庞大地产帝国,却亲眼见证暴力罪犯、性侵者与腐败法官一次次凭借规则漏洞逃脱法律制裁,对整个司法体系彻底失望。他褪去富商身份化身地下义警,以自己的方式对漏网之鱼执行审判。他的私刑行动被路人拍下传遍社交网络,迅速爆红成为民间追捧的正义符号,也引来了国际刑警长官亨利的全力追捕。两人在城市街巷里展开步步紧逼的猫鼠博弈,法外正义与执法体系的碰撞愈演愈烈。
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改遍自Jeff Hobbs的传记作品《The Short and Tragic Life of Robert Peace》
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该剧故事继续围绕在丧尸横行的世界中的幸存者们展开,聚焦丧尸末世后成长起来的第一代。
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与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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一名保安被他称为 F 女士的性感房客迷住了。他的性幻想将他带到了一个极端,这将永远改变他和他妻子的生活。
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该剧故事继续围绕在丧尸横行的世界中的幸存者们展开,聚焦丧尸末世后成长起来的第一代。
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一名保安被他称为 F 女士的性感房客迷住了。他的性幻想将他带到了一个极端,这将永远改变他和他妻子的生活。
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Take a peek at the life of an unhappy housewife who finds passionate love from her neighbor and how their affair brings them closer to fire.