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洛城警署探员山姆，在一次绑架案中因怀疑市长女儿涉案而被迫暂时离职，使得原本拮据的生活更是雪上加霜，通过上级介绍，他参加了拍攝真实情境的冒险节目“寻宝周记”，获胜者可获得一千万元奖金，为了提高收视率，节目中还穿插前美国海军海豹小组狙击参赛者的桥段，结果這些狙击手用的不是漆弹，而是真枪，加上突然来袭的飓风，将席卷太平洋上的小島，山姆和其他的参赛者能顺利逃出吗
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迪伦是生活在弗罗里达州的一名牙医，每天形单影只地穿梭在忙碌的人群中。然后突然一天一位熟人的到访彻底改变了迪伦的生活，他的世界将因此天翻地覆。
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Successful businessman Jake takes his pregnant girlfriend Lindsey on a babymoon trip to an upscale desert resort. When they get there, Lindsey discovers that Jake's meddlesome soon to be ex-wife, Gwen is there too. In a dream vacation gone wrong, it becomes apparent that someone is determined that Lindsey will never use her return ticket.
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米高任特种部队时，曾参与拯救波斯尼恐怖分子挟持的人质，可惜任务失败人质被杀，米高侥幸逃脱。退役后米高任职私人保镖，其老板在机场为枪手伏击身亡，其妻在机场逃过大难后，回到家中再次受击，米高因而被革职，米高追查下，发现凶手竟是两年前恐怖分子首领，其时米高的行动受阻，而一起查案的探员的女儿亦被绑架，令案情更加复杂......
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米高任特种部队时，曾参与拯救波斯尼恐怖分子挟持的人质，可惜任务失败人质被杀，米高侥幸逃脱。退役后米高任职私人保镖，其老板在机场为枪手伏击身亡，其妻在机场逃过大难后，回到家中再次受击，米高因而被革职，米高追查下，发现凶手竟是两年前恐怖分子首领，其时米高的行动受阻，而一起查案的探员的女儿亦被绑架，令案情更加复杂.
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Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella. Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
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Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.