超魔鬼毁灭者
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A cop (Roberts) tries to bust a gang of teenage gun dealers. In the process he catches only one and tries to charge him with a number of offences but fails since the gang member is underage. One by one the youth's friends start turning up dead. It is up to Dylan (Roberts), and his partner to save the youth from the same fate as the rest of his gang.
驶入心途
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Tawan是一位医生,Mork是一个摩托车司机。医生经常雇Mork载他去男朋友的公寓,所以两个人的关系很近。   有一天,Mork让医生迟到了约会,无意间却让医生发现被男友欺骗了。这之后,医生和男朋友分手, 他和Mork的距离却越来越近了。   这是一个始于乘客和司机的友情和爱情故事。
忧郁
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  Dana是个失败的生物学家,她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区,这里也充满了死亡,尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄,但他们还未意识到真正的危险。在他们营地不远处,潜伏着一个……吃?或被吃?
找死來唬秀影视解说
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別家電視台要的是醜聞加緋聞、裸體加屍體,抓鬼實境秀主持人山姆追求的則是冤魂、邪靈和尖叫 聲,要收視率和腎上腺素一起飆升。   但說鬼容易捉鬼難,八股的故事以及千篇一律的特效機關,連膽小的觀眾也留不住。為挽救即將被 腰斬的節目,山姆和團隊決定前往墨西哥知名鬼宅展開精采大秀,沒想到鬼宅威力名不虛傳,開腸 破肚的屍體來真的,他們唬爛的捉鬼功力真能派上用場?要活命還是要收視率?   曾擔任電視節目編劇多年的導演托尼魏斯特,首部劇情長片就拿風靡全美的捉鬼實境節目開刀,精 密器材、攝影鏡頭到古宅怪談應有盡有,卻惡搞造假的特效機關,諷刺為求收視率的不擇手段,出 乎意料的人鬼大戰絕對令人「驚聲尖笑」。
福音合唱团
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一群来自不同社会阶层的哥伦比亚人开始加入一个福音合唱团,为一名著名歌手演唱。@优质资源库
爱人的最后一封情书
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事业心很强的记者(菲丽希缇·琼斯饰)发现一批不为人知的情书,继而查出一对恋人(谢琳·伍德蕾与卡勒姆·特纳饰)在1960年代发展出的禁忌恋情。本片改编自《遇见你之前》原作者乔乔·莫伊斯气势恢弘的浪漫小说,请到乔·阿尔文和纳巴汉·里兹万参与演出。在Netflix观赏《恋人的最后情书》,7月23日上线。
星星
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1944年,二战已接近尾声,在东部的苏德战场上,红军为了摧毁法西斯的最后抵抗,派出了以特拉夫金中尉(IgorPetrenko饰)为首的七人侦察队,他们将要深入敌后,去摸清敌人的兵力部署。这次凶险的任务已经导致多名战士牺牲,但勇敢的侦察队员们毅然出发了,临行前,特拉夫金与通信兵卡佳(YekaterinaVulichenko饰)约定,用“星星”和“大地”作为彼此在电波中联络的暗号。侦察队顺利的潜入敌后,并陆续传回有价值的情报,意识到侦察队威胁的德军方面如临大敌,派出重兵封锁交通,导致侦察队蒙受巨大损失。特拉夫金面对失去战友跟电台的局面,却决定继续前行,完成自己最后的任务……本片获2002年翁弗勒尔俄罗斯电影节大奖等多项褒奖。
救世主
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一个前贩毒集团的黑帮分子决定开始救赎之路。
漫长的告别1971
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It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)