围之棋
剧情:
美国围棋纪录片,时6年,两个身无分文的美国大学生,通过募捐走遍中日韩,精心拍摄剪辑的主题围棋纪录片。纪录片以三个美国的年轻人努力成为西方世界首批本土认证的职业围棋选手的生活为主线,通过和这些年轻选手的近距离生活记录,以及和全球最伟大的职业围棋大师的一些面对面的直接访谈,这些大师包括聂卫平九段,李世石九段,曹薰铉九段,大竹英雄九段,井山裕太九段,吴清源九段等等,来记录并试图探寻,对于所有下围棋的人来说,围棋除了是一种意识浓缩,还意味着什么呢?
冷血悬案
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The film tells the riveting story of a complex murder case, parallelly investigated by a police officer and an investigative journalist in their own way, who eventually cross paths to unravel secrets they never imagined.
五角大楼的战争
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剧情:
  空军中校约翰·伯顿被指派评估布拉德利步兵战车样品车的效用,这是一种陆军运兵车/侦察车,在其最后的重新设计中,发现其实际上是使乘员置于致命陷阱隐患。伯顿一直试图对它进行适当的实弹装甲测试,但不断被他的临时指挥官,陆军少将帕特里奇阻挠,以便使它在企业中进行定型与生产。
冰之启示录
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剧情:
已经处于病毒大流行期间,一个巨大的极地漩涡威胁着,几乎覆盖整个地球的冰层。当人们发现唯一能在寒冷中生存的地方,是赤道附近100英里的温带地区时,一个病毒学家,拥有这场流行病唯一的治愈方法,必须在24小时内到达安全地带,人类才有生存的希望。
爱的怪物论
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剧情:
  《去死吧!啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》,邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演,當年鬼靈精怪的少女成了飽受風霜的單親媽媽,帶著兒子遠赴邊陲小鎮重新開始,原以為新生活就要展開,沒想到這次不僅要面對自己的心魔,還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》,更被美國影評譽為對怪物類型電影做出全新的演繹。
豆浆的味道
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剧情:
FollowsagroupofgirlfriendsfromAssamandMeghalaya,north-easternstatesinIndia,gatheringinthebackstreetsofDelhitothrowasecretweddingpartyforasoon-to-bebride.Terrorisedbytheirrottweilerofalandladyandwiththeirboyfriendsutterlyuselessashelp,thegroup’salreadydisorganizedplanssoongofurtherawry.AsthewomencookthetraditionalAxoneweddingstew(aporkstewwithpungentlocalherbs),neighborscomplainaboutitspowerfulsmell.However,theyaredeterminedtopreparethearomaticdish.Withthechallengesbroughtonbyculturaldifferenceandthepressuresofbeingmigrantsinaseeminglyunfriendlycity,isfoodandloveenoughtosavetheday?
星期四
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剧情:
  当一名幼儿园老师——亚米·高塔姆绑架了 16 名小学生并提出一系列要求时,不仅震撼了孟买警察和城市,而且在全国及其政界人士中引起了反响。
冬日微暖
导演:
/ 未知/
剧情:
Pathomkan 因诈骗罪锒铛入狱。在狱中,他遇到了外表冷漠却有着异样魅力的 Bible,深受其吸引。Bible 的存在让他的笑容有了意义,也给他孤寂的监狱生活创造了难忘的回忆。 这是两个无人敢爱的人的爱情故事。
麦德林毒枭
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  To save his brother from the hands of narcos in Medellin, Reda gathers a team to raid the kidnappers in Colombia.
少女法哈影视解说
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Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry.  It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake.  A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination.  In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.