A powerful and inspirational story of dedication, danger, fear, and the rare 'will' some of us have to defy all personal limitations. Experience one of the fastest mostorsports on earth through the eyes of four-time world champion Scott Dixon and the Chip Ganassi Racing team. Filmed with an access all areas lens, 'Born Racer' follows the people who are passionate about the world of auto racing and asks why some individuals feel compelled to face danger and risk their lives in order to win. Both action-packed and highly-intimate it features an intense blend of up close and personal filming with never-before-seen spectacular, cutting-edge racing footage to explore a sport that defines the very people who inhabit it, and pushes them to the edge in their desire for success.

　　Fictionalized story about the founding of the ill-fated Finnish mining company Talvivaara.

伊朗导演贾法·潘纳希（Jafar Panahi）正在拍摄一部儿童影片，影片讲述打着石膏的小女孩米娜·穆罕默德·汉妮（Mina Mohammad Khani）放学后没有等到接她的母亲，于是自己独自回家的故事。然而在拍摄公交车一场戏时，却突然发生状况。米娜死死地盯着摄像机，突然大喊“我不拍了！”任凭导演如何劝说，这个小女孩就是不愿继续，转而独自离开。由于疏忽，米娜身上的微型麦克风未来得及摘除，导演当即决定尾随米娜，跟拍她回家的全过程。虚幻与现实的界限就在这一刻模糊了……　　本片荣获1998年伊斯坦布尔国际电影节金郁金香奖、1997年洛迦诺国际电影节金豹奖、1998年新加坡国际电影节最佳亚洲导演奖。

“Diary of a Wimpy Kid Rodrick Rules,” is an all-new animated movie based on the second book in Jeff Kinney’s wildly popular book series. The original song from the film, “Can You Smell Us Now,” written and produced by Jon Levine, with lyrics by Jeff Kinney, and performed by Jimmy Tatro, is also available. Be sure to check everything out, and don’t forget to watch “Diary of a Wimpy Kid Rodrick Rules” on December 2, 2022, when it premieres on Disney .　　　　The riotous antics of angst-ridden, disaster-prone middle school student Greg Heffley continue in “Diary of a Wimpy Kid Rodrick Rules,” focusing this time around on his complicated relationship with older brother Rodrick. A spikey-haired high school student, Rodrick is lazy and undisciplined and spends way too much time practicing with his rock band, Löded Diper. While he loves to torment Greg, he ultimately has a deep affection for his younger brother. Directed by Luke Cormican (“Teen Titans Go!) and written and produced by Jeff Kinney, “Diary of a Wimpy Kid Rodrick Rules” features the voices of Brady Noon (“The Mighty Ducks Game Changers”), Ethan William Childress (“mixed-ish”), Edward Asner (“Up”), Chris Diamantopoulos (“Silicon Valley”), Erica Cerra (“Power Rangers”), and Hunter Dillon (“Deadpool 2”). “Diary of a Wimpy Kid Rodrick Rules” features the original song, “Can You Smell Us Now,” written and produced by Jon Levine, with lyrics by Jeff Kinney, and performed by Jimmy Tatro.

埃特罗在格鲁吉亚的一个落后地区经营一家规模不大的便利店。48岁的她还是个处女，因而一直是流言蜚语和嘲弄的对象。她根本不在乎，直到突然遇到了初恋。这让她心头一震，却并未改变根深蒂固的独立性格。

　　Ambitious young Māori detective, Ariki Davis (Dominic Ona-Ariki) arrives in Queenstown with high hopes for his future. When local legend Grub Ryder is found dead at the bottom of the infamous One Lane Bridge, Ariki joins the investigation and inadvertently unlocks his Matakite – a supernatural ability akin to second sight that he hasn’t experienced since his youth. Māori metaphysics collides with Southern Man skepticism and Ariki’s spiritual gift threatens to endanger the case, his career and his life.

　　The exact details of what took place while Talib Ben Hassi, 19, was in police custody remain unclear. Police officers Jens and Mike are on routine patrol in Svalegården’s ghetto when news of Talib’s death comes in over the radio, igniting uncontrollable pent-up rage in the ghetto’s youth who lust for revenge. Suddenly, the two officers find themselves in a fair game and must fight tooth and claw to find a way out.

影片在欢乐中开场，一家人其乐融融，为11岁小女儿庆祝生日，后者却趁大家不备，纵身从阳台上跳下自杀。这个突如其来反差强烈的场面，为后面所有的剧情发展打下基调。　　在自己11岁生日的当天，安格里基从包厢里跑了出来，当场摔死。当地的警方和检察官都想找出这个小姑娘自杀的原因，但是她的家人却坚称，这是一起事故。只是11岁的安格里基到底有什么不为人知的秘密？她的家庭又在试图做着些什么？

Y.是一位40多岁的以色列导演，他来到沙漠尽头的一个偏远村庄，想要展示他的一部电影。在那里，他遇到了文化部官员Yahalom，并发现自己正在打两场失败的战斗：一场是反对他的国家对于自由的消亡，另一场则是反抗他母亲的死亡。

PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,