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Hungarian Rhapsody (Magyar Rapszodia) is the first chapter of director Miklos Jancso's two-part dramatized history of Hungary, from the turn of the century, to World War II. The story is told from the vantage point of Gyorgy Cserhalmi, the son of a wealthy landowner. During World War I, Cserhalmi is instrumental in quelling an army mutiny. Upon realizing that he has been responsible for the deaths of several peasant conscripts, Cserhalmi vows to be a "man of the people" when hostilities cease. He joins a communist cell, but finds he is woefully out of place. Throughout the 1920s and 1930s, Cserhalmi's political viewpoint is governed almost exclusively by his vacillating emotions. The film is enhanced with a "Russian Roulette" leitmotif, not unlike the fatalistic throughline of Michael Cimino's The Deer Hunter. Director Jancso followed Hungarian Rhapsody with Allegro Barbaro; both films were originally released in tandem, then redistributed as separate features. ~ Hal Erickson, All Movie Guide
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2014年7月,准父母Irka和Tolik住在乌克兰东部靠近俄罗斯边境的顿涅茨克地区,这是顿巴斯战争早期有争议的地区。随着MH17航班附近的坠机事件加剧了笼罩他们村庄的令人生畏的紧张气氛,他们对第一个孩子出生的紧张预期被突如其来的事件猛烈地打断了。迫在眉睫的失事客机残骸和即将到来的哀悼者队伍强调了当时超现实的创伤。
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在20世纪90年代的乌克兰,一个绰号“犀牛”的年轻人从一个小偷开始,很快在犯罪集团中步步高升。犀牛只知道权力和残酷,但没有什么可失去的了,他最终能找到救赎的机会吗?
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To withstand the psychological torture of the Gestapo, a lawyer imprisoned by the Nazis rescues himself in the world of chess.
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Moving to Portland, Oregon and finding work in food service is easy for Paul and Ramona. A struggling musician without bandmates, Paul becomes introverted and moody. Ramona's friend from college introduces her to a new social circle and she goes out while Paul stays home. When Ramona confronts turning thirty, it's time to grow beyond old routines and her relationship with Paul comes to a head. Paul and Ramona, a young couple in need of a change, move to Portland, Oregon from their hometown of Boise. Upon arriving, they sublet an apartment and begin to familiarize themselves with the city. While finding work is easy (Ramona begins waitressing, while Paul gets a job at a coffee shop), change is difficult. Their life in this new city seems to be on repeat. When their car breaks down and a tandem bicycle becomes their primary means of transportation, Ramona refuses to ride. A struggling musician, Paul, spends most of his time at home, steadily becoming introverted and moody, while Ramona, at the insistence of a co-worker, is thrust into a new social circle, where she begins an affair with a co-worker. Ramona and Paul’s relationship implodes after she confesses and in the ensuing conflict, she impulsively leaves to stay with a friend. Paul, desperate to work through the pain of the split, befriends a quirky barista named Ali. This friendship gives him a chance to begin to heal and inspires him to focus on expression through his music.
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Set in Ålesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy. Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life. This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, "Confronting our social conscience", which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.
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为陪伴在家人的身边,丹尼尔出狱后,回到了家乡马赛。他的女儿玛蒂达,是一位刚成为母亲的实习销售助理,而他的伴侣尼古拉斯,则是每天疲于奔命的自由职业司机。某天夜里,一位因生意损失而心生怨恨的出租车司机袭击了尼古拉斯,他们平静的生活就此改变…
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婚姻不幸的土耳其女子乌马伊(西贝尔·凯基莉 Sibel Kekilli 饰)不仅跟丈夫毫无爱情可言,更时常遭受丈夫的家庭暴力。悲剧的婚姻致使乌马伊带着儿子逃回了娘家德国。然而她悲剧的命运并没有因此终止,迎接她的非但不是一个可以依靠的温暖的家,而是家人的冷嘲热讽。为了声誉,家人居然极力劝她按照传统习俗,把儿子送回给土耳其的丈夫抚养。面对家人的冷眼和唾弃,善良宽容的乌马伊并没有放弃,她坚持自己抚养儿子,不得已下寄居在朋友家。然而这仅仅是悲剧的序曲,乌马伊带着儿子去看望病危的父亲,却不曾想到,等待她的,居然是自己弟弟的枪口。
本片不仅荣获2010年第60届柏林国际电影节欧洲院线大奖,还获得欧洲电影奖、德国电影奖在内的六次提名,三项大奖。
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本剧聚焦英国可耻的工党内阁大臣John Stonehouse,讲述他的人生和所处时代的故事。Matthew Macfadyen饰演John,Keeley Hawes饰演其妻子Barbara。 故事讲述1974年11月,John Stonehouse,Harold Wilson(Kevin R. McNally饰)政府内十分成功的一员,消失在了佛罗里达州一家大型豪华酒店的海滩上。他留下了一堆折叠整齐的衣服,游入海中试图伪造自己的死亡。震惊的公众和媒体以为这位北沃尔索尔的国会议员溺水身亡或是被鲨鱼吃掉了,留下了自己亲爱的妻子Barbara和三个年幼的孩子。 Stonehouse是一个充满号召力、魅力四射,又自信满满的人,从他在议会的职业生涯早期开始,就给Harold Wilson首相和工党的坚定支持者就下了深刻印象。他出身工薪阶层,毕业于伦敦经济学院,第二次世界大战期间曾在皇家空军服役,看上去是一个从政的理想人选。 随着剧情展开,能够明显发现他作为持家男人的名声掩盖了事实。Stonehouse和自己的秘书Sheila Buckley(Emer Heatley饰)开始了一段婚外情,并在1960年代成为了捷克特勤局的间谍。 Stonehouse故意窃取一位刚刚去世的选民的身份,可他复杂的财务状况和人际关系最终让他们付出了代价。他以死者的名义申请护照,开始编织一个精心策划的阴谋,试图在澳大利亚开始新生活。但他被澳洲警方误认为是逃犯Lord Lucan而遭到逮捕,此前的计划也随之成了泡影。 Stonehouse被伦敦警察厅的警探带回英国后,发现自己对保证工党多数席位执政至关重要。