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1871年春天,日本大使在两名武士的保护下,乘火车穿越美国大陆,前往首都华盛顿,转交日本天皇赠给美国总统的一把价值连城的军刀。列车遭到了悍匪林克及其副手高什等人的抢劫,军刀也被抢去。高什为了独吞财宝,设计杀害林克。土匪离去后,日本大使救活了重伤的林克 并命令武士黑度十平和林克在七天内找回军刀。在林克和黑度共同战斗的七天中,他们惊讶地 发现,东方的武士道精神和美国西部的牛仔文化竟然如此殊途同归……。
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美国某海军陆战队的直升机频频出事,少校凯利负责调查。一天,凯利在坠落的直升机里偶然发现螺旋桨的残损齿轮有质量问题,于是,凯利拿着那个有问题的齿轮准备报告顶头上司霍华德。 但令凯利万万没想到的是,这块残损的齿轮,其中藏有军火商和军方要员相互勾结,以劣质飞机零件进行幕后金钱交易的真相。而自己的顶头上司霍华德正是军方的主要成员。少校凯利因为知情,而招来了杀身大祸。为了保护6岁的儿子,他奋不顾身地扑倒在强尼身上,最后被暗杀者用乱枪打死。儿子强尼受了高度惊吓,从此不说一句话,整天拿着那个玩具,从不离手。 妻子芭芭拉并不知丈夫被杀的真正原因,反而把发现齿轮的问题,打电话告诉了丈夫的上司霍华德,结果正中霍华德的下怀,因此暴露了隐藏地点,以至招至来了更加凶猛的追杀。 霍华德得知少校凯利的妻子和儿子还活着,便开始了筛子般的疯狂围捕。从此,母子俩亡命天涯、无处藏身。每天都过着惊慌恐惧、东躲西藏的逃亡日子。在万般无奈的情况下,母子二人逃到了凯利过去的老战友伯恩在山里的隐居地,以求保护。 但母子俩无论躲藏到哪里,这群坏蛋总能找到他们。因为军方事前安置了一个无线电跟踪器,放在芭芭拉的车上,后来又被儿子无意识地装到了自己的玩具上,所以母子二人总是躲不过军方的跟踪。 最后,芭芭拉在丈夫战友们的帮助下,救出了儿子强尼,并和战友们一起,驾驶多架直升飞机,击毁了杀害丈夫的元凶霍华德乘坐的汽车,阴谋者最终得到了应有的下场。
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一位黑人演员即将登台表演,他迎向舞台中央享受热情如火的掌声,从这个马戏团开始,他有著身为命运小丑最灿烂及黯淡的光影聚焦。在巴黎最美好的年代,成为第一位登台表演的巧克力色人种,这是属于他的特异,可能也是不幸。命运偶然,当他遇见福提特成为表演搭档后便迅速窜红,引起群众热潮,在舞台的星 光灿烂之下──赌博、歧视、崛起与堕落,将串起他们特殊及迥异的传奇一生。
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虽饱经枪林弹雨洗礼,但是孤胆英雄约翰·麦克莱恩(布鲁斯·威利斯 Bruce Willis 饰)与儿子杰克(杰·科特尼 Jai Courtney 饰)之间依然如同普通父子一样,有着不可逾越的深深隔阂。失去联络许多年,好不容易得到儿子消息的约翰,却发现杰克因多项罪名的指控在莫斯科沦为阶下囚,面临死刑威胁。他未作迟疑,启程前往遥远的俄罗斯。开庭当天,一伙身份不明之人连环爆炸袭击法庭,其目标直指同样遭到指控的俄罗斯富翁尤里·科马罗夫(塞巴斯蒂安·科赫 Sebastian Koch 饰)。混乱之中,杰克护送尤里逃脱,其囚徒背后的秘密身份正逐渐浮出水面。
异国他乡,孤立无援,麦克莱恩父子只有依靠彼此逃出生天……
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20-something Aden has no other ambition in life than to become an actor. Most of his time is spent making videos as he applies for roles he’ll never get. After a string of dreadful auditions, where bizarre and humiliating requests are made of him, he comes up with a radical move: he will take full responsibility for finding a role that primarily he, himself, wants to play. This self-assured debut, playful in form and narrative with a fairy-tale edge to it, examines both the commercial work ethic and the concept of identity, which it presents as multilayered and also questionable. At the same time, in its exploration of the given themes, the film doesn’t deny itself a socio-critical tone, nor does it resist the temptation to tease the viewer a little.
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传奇摄影师罗德里戈·普列托(《花月杀手》)的电影处女作在一个看似废弃的墨西哥小镇展开,在这个小镇上,过去和现在迷人地共存,这是一个关于欲望、腐败和继承的迷人故事。
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The story follows police officers Kata and Arnar, in charge of investigating gruesome murders from Iceland’s first serial killer. The unlikely pair slowly starts connecting the case to a mysterious and abandoned boys’ home named “Valhalla”.
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Far from Tel Aviv and big city crimes, Daphna, 40, a promising police officer with a big mouth, finds herself in the small town of Afula dealing with petty crimes, seeking shade from the scorching heat, taking care of her aggressive cat, but more importantly, dodging the nagging question:" When are you going to get married, and have children?". The disappearance of Orly Elimeleh, a beautiful and wild 36 year-old army widow and former beauty queen, soon raises another troubling question for Daphna - why isn't anybody looking for her? This indifference towards Orly's uncertain fate shakes Daphna to the core as she begins to identify with her and to suspect the worst. Her concern gradually consumes her life, blurs her reality and causes her to question whether she is just imagining things, or is she on the contrary, the only one seeing things clearly. Matan, the younger 34 year-old son and "black sheep" of the powerful Oheyon's, Orly's late husband's family, seems to be the only one who ...
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This comedy follows two codependent East Village, New York girls, Olivia and Nicole, on the verge of eviction and existential crisis. They're struggling artists, living in a Bohemian apartment. Their electricity has been turned off and they've begun an ill-advised juice fast. To top it all off, they're out of money and too "talented" to come up with the rent. To solve their pro...