搜索"C." ，找到 部影视作品
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尼克·罗宾森、迈克尔·珊农、布丽特·罗伯森、亚历克斯·帕蒂弗将主演剧情片[回声潮世代](Echo Boomers，暂译)。影片根据真实事件改编，以一群幻想破灭的20岁青年为中心，他们闯入富人家中并实施盗窃。这将是塞斯·萨沃伊的导演处女作，剧本也由其独立撰写。
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《阴道独白》是美国女作家伊娃·恩斯勒（Eve Ensler）的剧作，近年来，上演这出话剧，已经成为国际性“妇女战胜暴力”运动的标志性活动。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。
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阿米尔是一个令人伤心...从字面上。作为一个关系终止的专家，他不满的交友者提供倾倒服务和花的日子，提供全面的坏消息，洛杉矶不知情的爱好者。虽然阿米尔声称他只是一个信使，使他愤世嫉俗的工作，并作为结果，在他的朋友组上单身汉。这变得非常明显，他最近进行最好的朋友告诉他，他再也不能成为他最好的，因为人的恶劣关系，因果报应。 当阿米尔回到他家的回家过感恩节，他是与他重逢失散多年的表弟，扎拉，谁决定搭上与他一起乘车返回洛杉矶。作为一个笑话，两个表兄弟假装自己是在阿米尔的朋友面前夫妇和他们的把戏来危险地接近太过分了。
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"A many-faceted portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. It cuts back and forth between six major story lines and more than fifty characters, and across a vast landscape, to explore the lifestyles and attitudes of the American left who faced both personal and hhistorical transitions in the period following the Vietnam War."
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尚恩在另一个对比的地球担任重案刑警，不同的是那里的科技全都倚靠魔法运作。一次他着手调查一连串怪异谋杀案，犯案手法都是他过去从来未见，因为凭借是科学。他在雷诺，一名崇尚科学更甚于传说和童话的「实用主义」忠实成员，以及130岁的魔法师丘吉尔这两人的协助下，发现层层迂回的内幕，引领他来到另一个时空，也就是我们存在的地球。这时他才发现，如果他不出手阻止，两个地球都会面临毁灭。
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Deadline消息，艾米莉·克拉克、杰克·休斯顿确认加盟菲利普·诺伊斯新片《双面疑云》(Above Suspicion，暂译)。影片故事来源于《纽约时报》专栏作家乔·夏基原著，讲述了一位模范FBI探员背后的丑闻事件，也是FBI历史上首次为探员的谋杀行为定罪。