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很早很早以前，这里是漂白大量衣服的沼泽地，现在则是一座巨大的医院，氤氲的水汽像幽魂一般盘旋在各个角落，这里提供医学教学、治病、和医学实验。一个老太太装病入院，她儿子在这家医院打杂，某天她搭乘电梯时听见一个小女孩的哭声，追查之下发现有一个小女孩的亡灵在这里游荡，于是这位自认通灵的老太太决定要找出历史的真相；医院方面则是有一群医生彼此勾心斗角，其中一个素有权威的医生在对一个小女孩动脑手术时，由于疏忽使小女孩变成植物人，小女孩的家属决议控告他，他极力想隐瞒事实；而与这位权威医生素来不合的年轻医生极力想要找出证据，另外他又不断走私医院的药物以黑货赚，他的女友怀了陌生人的孩子，却被通灵老太太认为是怀着魔胎；医学院在此实习的年轻学生则是偷割死人头企图骗取护士芳心，并自愿作睡眠实验从此恶梦不断；通灵老太太发现小女孩原来是被她恶毒的父亲、一个医生也是建院的重要人士之一害死，并被制成标本放在医院中，老太太于是决定举行驱魔仪式，孰料此时却是官方前来视察之时，医院上下各种问题齐发令主事者哭笑不得之际，怀孕的女医师亦生下一个邪恶的异形，这个恶灵的诞生并非结束，一切都还正开始而已。
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拉斯·冯·提尔于上世纪九十年代拍摄的邪典剧集《医院风云》将拍第三季，也就是本系列的最终季，共有五集。本剧以哥本哈根一家外科精神病房为背景，极尽荒诞、黑色喜剧之能事，原本计划就是三季，但在拍摄了两季后，因主演恩斯特·雨果·加拉加德和克里斯汀·罗夫斯离世而暂停。第三季将在2021年开拍，聚焦新的角色、新的故事，拉斯·冯·提尔将以《医院风云：出埃及记》(The Kingdom Exodus，暂译)的标题拍摄全部五集，剧本则由他和尼尔斯·沃塞尔共同完成。
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珍和丹的婚姻曾经更美满，但如今珍几乎无法忍受她的丈夫。一天，这对三十多岁的夫妇在湖边慢跑时开始谈论他们破裂的婚姻，但很快发现自己迷路了，登山步道似乎没有出口，他们一再回到同一个地方。更糟糕的是，一名沉默的戴兜帽的杀手正追踪着他们。
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Refuge is a suspense-thriller about a family struggling to survive in the wake of a great catastrophic event. As food and supplies dwindle and the threat of marauders becomes more apparent, the family must ultimately face the decision to either stay in hiding or go in search of an elusive mansion they've heard of - that may or may not exist.
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彼得（弗雷德里克·劳 Frederick Lau 饰）和名为莉斯贝丝（亨丽埃特·肯夫里乌斯 Henriette Confurius 饰）是一对非常相爱的情侣，然而，莉斯贝丝是出生在富贵家庭的千金大小姐，而彼得则是一穷二白的无名小卒，两人的感情自然而然遭到了莉斯贝丝家族的强烈反对。为了能够在短时间内获得大量的财富，彼得决定和魔鬼迈克尔（莫里兹·布雷多 Moritz Bleibtreu 饰）做一个交易，用自己的真心去换取财富。 虽然彼得有钱了，但他变成了一个冷酷无情的人，因此失去了莉斯贝丝对自己的爱，知道这时，彼得才发现自己被魔鬼骗了。为了重新获得莉斯贝丝的爱，彼得必须再去找迈克尔，这一次，他要换回的，是自己的真心。
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一对斯德哥尔摩情侣计划在哥特兰岛结婚，但家人强加给他们的传统仪式让两人的大喜之日便成了一场灾难
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“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.