搜索"Ario" ,找到 部影视作品

脆弱的男人
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剧情:
Az 在 Sète(法国南部)的一个牡蛎养殖场工作,他非常熟悉牡蛎,曾打开过成百上千个,一天,他决定藏一枚戒指在其中一只牡蛎中,向他的女友 Jess 求婚,但是对方没有答应。不过幸运的是,他的一群朋友已经准备好帮他重新振作起来。                                                                        Az travaille chez un ostréiculteur à Sète. Les huîtres il connaît ça par cœur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
脆弱的男人
导演:
剧情:
Az 在 Sète(法国南部)的一个牡蛎养殖场工作,他非常熟悉牡蛎,曾打开过成百上千个,一天,他决定藏一枚戒指在其中一只牡蛎中,向他的女友 Jess 求婚,但是对方没有答应。不过幸运的是,他的一群朋友已经准备好帮他重新振作起来。                                                                        Az travaille chez un ostréiculteur à Sète. Les huîtres il connaît ça par cœur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
丑女贝蒂故事继续
剧情:
  在这部新剧中,发生在Ecomoda的一场死亡迫使Betty与她以前的同事以及Armando重新建立联系。Betty与Armando仍然保持着婚姻关系,但已经分居。她还与一直在纽约学习时尚的女儿Mila团聚,归来的女儿想要去Hugo的工作室工作。Betty必须重建与女儿的关系,同时做出影响她事业的重要决定,并决定是否与Armando和解,而Armando会不惜一切代价赢回她的心
再造战士
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剧情:
一个海军陆战队进入一个岛基地,拯救一位教授,他们正在试图拯救教授的时候,危险正在降临。
火山口
剧情:
  Rosario works as a street seller on the fairgrounds of the suburbs of Naples. His dream to escape poverty latches onto the musical talent of his daughter Sharon. He turns into an impresario to make her a star of the Italian folk music.
造物的奇迹
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.