搜索"Alen" ,找到 部影视作品
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乔安娜是一个11岁的女孩,来自一个非常特殊的家庭。他们有转化成为动物的能力,尽管乔安娜还不知道。但当她妈妈变成鹦鹉的那天,她发现了真相。乔安娜有三天时间将她的母亲变回人类,否则她将永远留在鹦鹉身上。危机时刻,在家人和朋友的帮助下,她成功地拯救了鹦鹉母亲。
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Written by Guillaume Renusson and Clément Peny, the story (which won the Audience Award for Best Screenplay for a First Feature Film at Angers’ European First Film Festival) revolves around Samuel who, in the aftermath of a recent tragedy, leaves to get away from it all in his chalet in the Italian Alps, a place of passage for migrants looking to cross the border between Italy ...
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她的情史是一部歐洲藝術史
世人說她是維也納最知名的風流寡婦,從馬勒、葛羅培斯、克林姆至柯克西卡,全都拜倒在她的石柳裙下,她的美麗是男人追尋的繆斯;她的自由奔放、恣意縱情是藝術家創作的泉源,她是古斯塔夫?馬勒的遺孀愛爾瑪?馬勒。馬勒說「一個家只能有一個作曲家」於是她隱藏自己的音樂天分,在婚後扮演賢內助,直到馬勒離世,她仍堅守著「馬勒之妻」的名份。1912年的春天,愛爾瑪邂逅了青年藝術家奧斯卡?柯克西卡並且墜入愛河,傳世鉅作「風中的新娘」於是誕生。然而,在兩人愛得難分難捨之際,愛爾瑪也同時與德國建築師情人華特?葛羅培斯藕斷絲連。周旋在眾情人之間,她熱烈地愛著每一個情人,卻從未有誰能完完全全擁有全部的她。於是,男人對她的癡迷化為創作的養分,在與她相愛的日子裡,他們的藝術生涯也到達了顛峰。
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阿诺拉是布鲁克林的性工作者,她邂逅了一个商界寡头的儿子并在冲动之下嫁给了他,这让她以为自己像灰姑娘一样终于遇到自己的王子。然而当结婚消息传到了俄罗斯,男方父母来到纽约取消婚姻,破灭了的阿诺拉的童话。
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1241年,成吉思汗的儿子们率领的蒙古大军西征,所到之处生灵涂炭。当他们抵达到达喀尔巴阡山脉时,当地猎人贝尔库特兄弟秘密进入营地蒙古并释放了被挟持人质。愤怒的蒙古将军决定采取报复措施,摧毁喀尔巴阡当地的居民定居点。当地人中的一个叛徒告诉蒙古人山里的秘密通道,但贝尔库特兄弟领导的一小群山地猎人有自己的计划来阻止蒙古人的袭击。根据伊凡·法兰科的中篇小说《扎克哈尔·伯库特》改编
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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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16岁女孩苏赞妮对同龄人的无聊派对感到厌烦,当她在放学路上必经的剧院门口偶遇35岁的戏剧演员拉菲尔后,一切都变了。这是法国明星伉俪桑德琳娜·基贝兰和文森特·林顿的女儿、00后美少女苏赞妮·林顿自编自导自演的处女作,以灵动的镜头语言捕捉到怀春少女的多愁善感和鲁莽冲动,准确描绘出她对成年生活的渴望及对成长的恐惧,并以舞蹈来烘托角色的欢乐心情或亲密关系的联结,令人赏心悦目。本片入选2020年戛纳电影节官方片单并荣获圣塞巴斯蒂安电影节最佳新导演提名。