搜索"1969" ，找到 部影视作品
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这次，阴谋家贝洛福（特利?萨瓦拉斯Telly Savalas 饰）在瑞士山区建立一个疗养院，表面上这是一个普通的高级疗养院，风景秀丽、服务一流，但实际上却是贝洛福进行的一项旨在控制全球的计划的重要基地。在这个疗养院里，贝洛福开发出一种新型病毒，他企图将病毒注射到来这里疗养的女患者身上，然后通过她们传播到世界各地，达到掌握世界主权的目的。贝洛福的阴谋行动引起了英国情报部门的注意，于是007邦德（乔治?拉扎贝 George Lazenby 饰）奉命出动。邦德乔装打扮成家谱学的专家混进了这座疗养院，他必须及时查处贝洛福的阴谋，并阻止他！
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该片被公认为英国电影的巅峰佳作之一，在英国电影学院评出的100部最佳英国电影中名列第36。片中汇集了大批当年英国影坛的红人。大盗查理(迈克尔·凯恩)刚出狱就急不及待要大乾一票，准备截劫从中国运到意大利的四百万美元黄金。查理在一名黑道头目资助下，展开了一个天衣无缝的盗金计划，出动了三架库珀豪华车、一队积架车及公车来堵塞交通。片中一幕宝马库珀豪华车(MINI Cooper)在好莱坞名人大道上疯狂地追逐，穿过地铁隧道入口，沿着只有迷你汽车才能行驶的狭窄小路狂奔，被认为是影史上经典飙车追逐场面，让观众体验到前所未有的紧张刺激......
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故事发生在1968年的美国芝加哥，民众们对越南战争和麦卡锡主义的反对呼声越来越高，一场声势浩荡的民主运动一触即发。约翰（罗伯特·福斯特 Robert Forster 饰）是电视台的摄影记者，他亲眼目睹了事件的来龙去脉，并有幸成为了事件中的一员。 一次偶然中，约翰结识了名叫艾琳（弗娜·布鲁姆 Verna Bloom 饰）的女子，她的丈夫在越战中不幸死去，约翰对艾琳心怀怜悯。随着时间的推移，约翰渐渐爱上了善良坚强的艾琳，而艾琳亦对正直的约翰心生爱慕，两人走到了一起。然而，这段恋情遭到了艾琳的儿子哈罗德（Harold Blankenship 饰）的强烈反对，不惜以离家出走来表示抗议，可是，就在哈罗德离家当天，骚乱爆发了，在一片混乱之中，艾琳悲哀而绝望地寻找着自己的儿子。
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讲一个参加倒幕运动的农民，带着没有压迫、人人平等的梦想，尝试回乡建立新秩序的故事。 「赤毛」というのは、幕末、江戸に進軍する官軍の「赤報隊」（これ、時効になった朝日新聞襲撃の際、犯行声明出した謎の団体の名前と同じ？）の隊長がかぶる「鏡獅子」みたいな被り物が赤かったところからくる通称。百姓くずれの官軍の一兵卒・権三は「先方隊」に立候補し、隊長の「赤毛」を借りて、生まれ故郷の村に乗り込む。そこは、代官とやくざの一家に牛耳られ…となると、まるでクロサワの『用心棒』。村のセットも『用心棒』の宿場町に似てる。百姓達は年貢取立てに苦しみ、権三の恋人とみ（岩下志麻）ら、女たちは女郎屋に売られ、蘭学者に扇動された青年達は決起寸前、革命の機運高まる、というのが1969年的なんでしょうか。
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This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.
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This film took the top honor at the 1969 Berlin Film Festival. After a series of documentaries, this marks the directorial debut for Zelimir Zilnik. It takes a decidedly anti-Stalinist view in the wake of the 1968 Russian invasion of Czechoslovakia and raises important political questions. He states that although the world has experienced untold wars, there have only been a handful of revolutions with any lasting significance that lead to political change.
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This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
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A young Italian noblewoman plots with her lover and her family to murder her abusive father leading to an uproar in the community and the Roman Catholic church set in 16th Century Italy.