搜索"1958" ,找到 部影视作品

火焰山
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话说这一日,唐僧师徒四人历经千山万水,来到一处名为火焰山的所在。此地烈火炎炎,绵延数百里,偏偏挡住西行之路。原来五百年前孙大圣大闹天宫,蹬翻了太上老君的炼丹炉。三昧真火从天而降,成就了取经之路的又一磨难。唐僧愁眉苦脸,猪八戒临阵打退堂鼓,孙悟空则打算找牛魔王的老婆借芭蕉扇熄灭大火。然而当年孙悟空收伏红孩儿,早已与结拜兄弟夫妻结下梁子。爱子心切的铁扇公主自是对他恨之入骨,一扇子将他扇到五万里外的小须弥。经过两三番较量,悟空总算借到宝扇,谁知却借到了冒牌货。万般无奈之下,悟空求助牛魔王,但是……\r本片系根据中国古典神话小说《西游记》第59~61回的故事改编。
一个女大学生的告白
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Choi So-young (Choi Eun-hee), a poor female law student is in trouble because her grandmother, who had been sending her tuition money, passes away. With the help of her friend Hee-suk, (Kim Suk-il) who dreams of becoming a writer, So-young fools Choi Rim (Kim Seung-ho), a lawmaker, into believing she is his daughter and moves in his house. She studies hard and becomes a lawyer. At her first trial, she defends a female inmate (Hwang Jeong-sun). Coincidentally, the story of the inmate is very much similar to hers. So-young defends her, saying how difficult it is for a woman to survive in a cold capitalism, arguing for her rights in tears. After she wins the case, she goes home and confesses her crime to Choi Rim's wife (Yu Gye-seon).
我爱红娘
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19世纪末的美国纽约,精明、干练、泼辣的媒婆Dolly一心一意想为富翁Vandergelder作媒,结果却促成了自己与富翁的婚姻,同时,也撮合了富翁的两个伙计与女帽商及助手、富翁侄女与艺术家的婚事。
不安分的年轻人们
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Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
奴隶船影视解说
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非洲某一黑人部落酋长把他部族里的一些黑人当作商品,与白人船长交换枪枝与酒。黑人武士塔曼果与其他黑人一起,在船上被戴上镣铐,倍受虐待。塔曼果忍无可忍,遂动员黑人同胞反抗。他亲手扼死了鞭打他们的白人。黑人奴隶们叫着“白人只能卖活人,不能卖死人”而起义了。白人船长无计可施,只能用炮把他们轰死,以承认失败而告终。...
三毛流浪记
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三毛是旧社会的苦孩子,他无依无靠,受尽了折磨,但它又是一个善良的、勇敢的好孩子,他的遭遇就是旧社会千千万万少年儿童的遭遇。枯瘦如柴的三毛行走在灯火通明、笑语欢歌的大都会上海。狂风暴雨的大街小巷,到处可见外国产品的宣传广告,这里的繁荣与三毛没有一点关系。广告中胖娃娃吃的进口奶粉,他只能用那奶粉罐子当要饭的家伙。大雨之夜,三毛连暂时避雨的栖身之所都找不到,粗暴的警察和骄傲的阔太太随时驱赶着他。在人吃人的旧社会,饿肚子的穷人不得已出卖自己的孩子,售价却还不及橱窗里的洋娃娃。三毛走遍上海大街小巷,寻找能暂时得以糊口的营生,更是见遍了世态炎凉……   本片根据著名漫画家张乐平同名连环画改编。
春雷
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/ 黄野/
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《春雷》讲述石岘造纸厂和长白造纸厂在全国大跃进的浪潮中互相鼓励互相促进,展开了抓生产、促革命的竞赛。为争取在保证质量的情况下尽力缩短纸张蒸煮时间,赶超其它造纸厂,石岘厂的试验员朴容吉在党委书记等厂领导的支持鼓励下,大胆试验强力蒸煮法......
木头姑娘
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木匠被羊倌戏耍时,发现一块上等的好木材,兴奋地将它雕刻成为一个美丽的姑娘,画匠赶过来,用色彩将姑娘进行一番包装,姑娘更美了,银匠又赶过来,为姑娘打造了银饰。一切完毕,三人将木头姑娘端详了老半天,发出可惜的感慨。